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Jamie Barton Featured on The Open Ears Project

“It began an obsession with classical music that turned her teenage alienation into a powerful sense of belonging to music and connection with its listeners, whoever they are and wherever they come from.” The American mezzo shares her most pivotal classical music memory with WQXR’s smash hit podcast, alongside Alec Baldwin, Wynton Marsalis, Eddie Izzard, Sam Mendes, and Jon Batiste.

September 17, 2019

“It transports me back into this bedroom that I had as a kid. Sitting in my bay window, overlooking the field, leading up to the forest. There’s nothing else out there.”
— Jamie Barton

American mezzo Jamie Barton joined WQXR’s Creative Director Clemency Burton-Hill on the new hit podcast The Open Ears Project to share the story of the classical music piece that transformed her life’s path.

“Barton grew up in an isolated rural community in northwest Georgia. Her first listen to Chopin's Nocturne No. 21 in C Minor — found on a CD titled Chopin and Champagne — began an obsession with classical music that turned her teenage alienation into a powerful sense of belonging to music and connection with its listeners, whoever they are and wherever they come from.”

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Public Relations Beth Stewart Public Relations Beth Stewart

Jamie Barton Takes UK by Storm as Favorite 'Queer Girl with A Nose Ring'

"We are witnessing something rather remarkable. That moment an audience falls in love with a singer." Jamie Barton’s media blitz ahead of Last Night of the Proms included appearances on television, radio, national print media, podcasts, and digital and glossy magazines.

September 16, 2019

“We are witnessing something rather remarkable. That moment an audience falls in love with a singer.”
— BBC Arts

Jamie Barton’s headlining performance at Last Night of the Proms left fans and audience members around the world glowing. Her flurry of media appearances, including features on BBC World Television’s GMT, Today Programme, In Tune, Breakfast, Front Row Live, BBC News, BBC Digital, The Times, The Guardian, The American Magazine, Classical Music Magazine, and Guilty Feminist, were followed by rave reviews afterwards.

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Photo by Chris Christodoulou

Photo by Chris Christodoulou

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